Thursday, April 30, 2020

Fantasy: The Realms of Man and Myth


For as long as I can remember, I have been devouring books.  By the time I was ten I had already read Shakespeare, Dickens, Alcott, Wilde, Tolkien, Lewis, and the list goes on.  The story that I recall with great detail from that time is the fairy-tale “The Selfish Giant” written by Oscar Wilde.  I read it many times, along with a few of the other fairy-tales, including “The Happy Prince” and “The Nightingale and the Rose”.  At that young age, I was touched by these stories and would cry at the end every time.  It wasn’t until I was an adult and read them again, I could see the masterful imagery and profound meaning rich with religious principles and the opportunity for redemption.

By the time I was in Junior High and High School, the hunger for literature only grew and I began pulling books off the shelves in my father's study.  There was a point where my father suggested that the material was too mature or that my life's experience wouldn't allow me to appreciate what I read.  However, I continued to pull books down and devour them one after the other.  For a short period of time, I would only read novels by the Bronte sisters.  Fell in love with Jane Eyre and Wuthering Heights and longed to change the fates of the protagonists.

One summer, I read more than 100 books; inspired by a competition sponsored by the local library.  In my early twenties, I selected books that would challenge my intellect and stamina.  It took me nine months to read, Richard Adams’ Watership Down, Braum Stoker's Dracula, and Victor Hugo's Les Miserables.  Some would suggest that I do not discriminate when it comes to literature due to the variety and my eclectic tastes.  If I am being truthful, I would tell you that there is literature that I will not read, and there is one novel I actually threw in the trash after reading the first couple of chapters. 

While I enjoyed Exit to Eden by Anne Rice, I was deeply bothered by her Sleeping Beauty series and would not read any of the novels after reading only a few chapters of her first novel, The Claiming of Sleeping BeautyThe Odessa File, a thriller by Frederick Forsyth, first published in 1972, about the adventures of a young German reporter attempting to discover the location of a former SS concentration-camp commander was so morally depraved that I chucked it in the trash vowing to never read such filth.

I am not certain if I was ever shaped by the novels that I read, except that I had a growing love for literature.  Some novels caused me to question my beliefs, like Robert A. Heinlein's novel, Stranger in a Strange Land.  Other books, such as the Celestine Prophecy series, inspired me to explore amazing possibilities.  Novels such as Les Miserables and The Count of Monte Cristo made me aware of the cruelty of humankind and the struggles that seem to continue into the current century.  

My favorite genre, however, has been Fantasy.  This was an escape for me.  I loved the Chronicles of Narnia, The Hobbit, The Lord of the Rings series, and the Fionavar Tapestry trilogy.  I wanted to be one of the characters in any of these stories.  However, the series that I most related to were the Fionavar Tapestry by Guy Gavriel Kay.  In the first novel, The Summer Tree, five students from Toronto travel to the first of all worlds with the mage, Loren Silvercloak and his source, Matt Soren.  Four arrive safely in Fionavar.  The fifth, David Martyniuk, is lost on the plains.  Each of the five, individual threads on the Weaver’s Loom, soon discover they are there for more than just a festival.  They will leave Fionavar forever changed.  The Summer Tree ends with Kim, Kevin, Paul, and Dave crossing the vast lands of Fionavar to rescue Jennifer from imprisonment, torture, and death.  Each forever changed becoming the Seer, The Twice-Born, The Rider, and so much more before the end of the trilogy.


I wanted to be swept away into another world by a renowned professor because I would play an integral part in this world, defeating evil.  I felt that I could relate to each of "The Five" students pulled into the "First of all Worlds".  As each followed their individual paths I could see myself; on the same journey of self-discovery.  And much of that discovery through pain and loss.  This pain and loss I felt so deeply during my young adult years.

I was in my early twenties the first time I read the Fionavar Tapestry.  I would lay on my bed; turn on David Lanz’s album, Christofori’s Dream, and read.  I read it again after my husband and I married.  March 26th of this year, I began reading it one more time; beginning with The Summer Tree. Guy Gavriel Kay, a Canadian author, was nominated for a Mythopoeic Fantasy Award for Adult Literature in 1985 for The Summer Tree.  At the time, my father was an editor of Mythlore Magazine, a publication produced by the Mythopoeic Society.  I have a special attachment to this series because my father is good friends with the author.  Since 1984, Kay has published 14 novels and a collection of poems.  The last novel was released in 2019.  I finished reading The Summer Tree within a week and wrote the following review for another class:  "I read the trilogy for the first time 25 years ago... reading it again has been a thrill... recognizing the Arthurian, Celtic, and Norse threads...  Guy Gavriel Kay joins the elite ranks of High Fantasy writers along with J.R.R. Tolkien, C.S. Lewis, and Charles Williams."

Cristofori's Dream

My favorite character in the Fionavar Tapestry is Kimberly Ford, an intern from the University of Toronto.  She is also the character that I most relate to.  Her transformation in this trilogy was thrust upon her, yet she accepts it.  She is the strongest, most resilient, and the wisest of the five students taken to Fionavar.  In the end, she becomes the High Seer in this fantasy.  My favorite quote regarding this character is: "Kimberly, white-haired, would say when asked that she could sense a glimmered pattern when she looked back, but one need not be a Seer to use hindsight on the warp and weft of the Tapestry..."  I had much thrust upon me as a young adult and I felt akin to this character; learning to accept what is and to make the best of the situation.

When I started writing stories I patterned one of my characters after that of Kimberly Ford from the Fionavar Tapestry as well as Arwen Undómiel.  Arwen Undómiel, a character found in J.R.R. Tolkien’s Middle-earth legendarium, The Lord of the Rings, is one of the half-elven (Peredhil) who lived during the Third Age.  In my novels, The Well-Spring and The Cursed Nightjar, my heroin is a Seer and a Healer.



Wednesday, April 22, 2020

A Fairy Tale: For the Love of Aurora

Once upon a time, in a kingdom far away, a King and Queen desired to have a family.  Their names were King Stefan and Queen Leah.  They ruled the kingdom together, caring for the needs of every citizen.  Yet, every evening before retiring they would talk of the day that they would be able to care for a son or a daughter.  It would be many years before their desires would be fulfilled.

One day, the bells rang out announcing the arrival of a beautiful baby girl.  To celebrate the birth of their daughter, King Stefan and Queen Leah opened the palace to allow every citizen the opportunity to meet the princess, who they named, Aurora.  The young and old, fat and skinny, rich and poor lined up and waited their turn to see the newest royal.  As each person stopped to admire the smiling baby they left a token of their affection.

One such person was an old woman who walked slowly up to the cradle and gazed into Aurora’s innocent blue eyes, and wished aloud:

 “May you continue to see the beauty of the world through eyes of innocence,” and then laid a garland of forget-me-nots across the canopy of the cradle.

Next came a young father with his three-year-old son and they both smiled and laughed when the babe reached up to touch the boy’s face.  The boy leaned closer to the baby so that her tiny fingers could brush his cheeks.  The boy smiled and whispered:

 “You are so beautiful, I will love you forever.” 

The little boy reached into his jacket pocket and pulled out a pony carved from cedar and placed it at the base of the steps leading up to the cradle.  The father placed a tiny rocking chair shaped from the same tree next to the cradle.

Each gift was given, a symbol of the deeds, trade, or skill of the giver.  As the last person walked through the palace gates and the sun slipped beneath the veil of night, the little princess closed her eyes and drifted off to sleep.  Queen Leah scooped up the tiny babe and carried her to the nursery to dream.

At the other end of the kingdom, the little boy and his father talked about the princess.  The little boy softly whispered before he fell asleep,

“I hope that I can marry the princess when we are both older.”  The father nodded and whispered back: 

“Joseph, my sweet boy,” the father paused to brush his son’s hair.  “Aurora is a princess and will marry a prince.”

Joseph looked up at his father and asked:  “What if I said, please?” 

Years passed and Aurora continued to grow in beauty and kindness.  She was patient and thoughtful; wishing to help anyone she met.  Everyone who knew her adored her and longed to be near her.  However, what most didn’t know was how lonely Aurora was and she longed for true love.  For when she was a little girl her nanny would tell her bedtime stories about princesses finding true love and of valiant knights who rescue the princess from an evil step-mother or a wicked witch.  Aurora believed that there must be a prince out there who would be her knight in shining armor.

Aurora carried this dream with her and when her parents announced that they were going to throw a ball for her 16th birthday she truly believed that she would meet her prince.  She started thinking about how she would wear her hair and what color of dress she would have made for this special day.  While preparations for the ball were underway, Aurora’s mother came to her room and presented a beautiful white lace ball gown.

“This is the dress I wore on my 16th birthday, and I thought that you might like to wear it to the ball.”

“It is so beautiful and I would be honored to wear it.”

Aurora’s mother smiled and added, “I know that you love the rose garden and all it’s beautiful blossoms and thought that you might want to add a bit of that color to the gown.”
Aurora looked at her mother and agreed that a little lilac and lavender would be great around the hem of the dress. 

The day of the ball arrived and guests began arriving to stay at the palace.  Aurora peeked through the tapestries at the guests to see if she could spot her one true love, but he didn’t seem to be there.  Aurora grew a little sad but was still filled with hope.

Finally, the time arrived and Aurora was ready to be presented at the ball.  Her mother, Queen Leah, joined her at the top of the grand staircase and descended towards her father, King Stefan, who waited to take her hand.  As King Stefan guided her to the dance floor, Aurora looked around the ballroom to see if she could find her prince.  There were so many fresh faces beaming among the host of guests she was certain that one of them must be her prince.

The evening was full of meeting various princes from far distant lands; each telling her of their victories and accomplishments; bringing honor to their respective kingdoms.  There was one prince that captured Aurora’s heart and she thought:

“This must be the prince that I have been waiting for.”  She asked her parents if they would invite this prince and his parents to stay for a season so that she could get to know this young man.  And of course, they accepted.

Prince Phillip became Aurora’s constant companion on horseback rides and garden strolls.  They stayed up late and read books by candlelight.  Sometimes they just sat by the fireplace making plans for the next day.  Aurora was in love and hoped that Phillip would propose marriage before her 17th birthday. 

On the eve of her 17th birthday, Aurora and Phillip picnicked in the gardens.  As they were strolling along the paths, Aurora began to share her dreams for the future with Phillip; thinking that this may prompt him to ask for her hand.  Finally, she simply asked: 

“Phillip, don’t you want a family?”

“I guess I haven’t thought about it.  I really enjoy being free and enjoying all that life has to offer.”
Aurora was a little surprised.  She thought that Phillip understood why he and his parents had been invited to stay at the palace.  They continued their walk through the gardens until the shadows of dusk spread across the pathways.  They returned to the palace and joined their parents for dinner in the dining hall. Aurora sat quietly, staring at her plate, while Phillip consumed everything on his plate as quickly as possible.  The parents were so engrossed in their conversations about politics and the weather that they did not notice a change in their children. 

Eventually, Aurora excused herself and went to her room.  She sat in the bay window overlooking the grounds and began to weep.  As she continued in this posture, rustling beneath her window caused her to sit silently.  In the stillness, she observed at the far end of the garden a person walking the path towards the stables; disappearing behind a hedge.

Aurora stood and leaned over the window sill hoping to get a better look.  Since the lone figure had disappeared so quickly she grabbed her cloak and speedily traversed the stairs and halls, escaping through a side door to the gardens.  Aurora commenced upon the same path hoping to come upon the stranger who had disappeared behind the hedge.  As she reached the stables she heard her Phillip speaking: 

“You are so beautiful and I think I have fallen in love with you.”

“This can not be.  I am but a servant.”

“I am a prince,” Phillip replied.  “If I desire to be with you, I will.”

Aurora stood in the shadows listening to Phillip confess his love and wondered which servant girl had evoked such commitment.  She stepped from the shadows to catch a glimpse and silently looked upon the fair maiden locked in Phillip’s embrace. 

“The milkmaid?”  Aurora questioned aloud.  Then overcome with surprise and grief, Aurora ran past Phillip and the maiden.  Phillip called after:

“Aurora! Wait!”



She continued running, hoping to get as far away as she could from the warm embrace that was seared into her mind.  The betrayal and loss were too much for Aurora.  She wept and ran blindly; reaching the edge of the forest.  Suddenly stopping, Aurora gazed up into the night sky; from the very depths of despair she let out a cry; stirring every sleeping creature and beast; giving in, collapsed upon the forest floor.  A silent figure at the edge of the kingdom.

There she lay lifeless; the shadows stretching long across the ground. But there in the depths of the trees, a single figure stepped out from a grove of trees into the light of the rising moon; revealing the pleasant countenance of a young man, who had once been the young Joseph.  The very one who had confessed his love for Aurora so many years ago.

Slowly, Joseph laid his ax against the trunk of a nearby tree; moving towards the fallen princess and then knelt beside Aurora; brushing golden strands from her tear-stained cheeks.  Pulling off his cloak he laid it across the tiny frame and then slowly lifted her; supporting her head against his shoulder and cradling her broken body with his arms to carry her back to the palace.  As he approached, the guards already aware that the princess was outside the walls realized that Joseph was carrying her and they quickly opened the gates allowing them to enter.

King Stefan and Queen Leah rushed out, meeting Joseph at the same stairs where the baby Aurora had been presented to the kingdom.  Relief drawn across their faces.

“What has happened?”  Queen Leah questioned.

“I found her in the forest at the edge of the kingdom” replied Joseph.

Queen Leah looked upon her daughter’s face and noticed the tear stains and then returned her gaze to Joseph.  Anticipating her question, Joseph replied:

“I do not know why she was there and I don’t know why she was in distress.”

“Are you okay to continue carrying her?”  King Stefan asked and Joseph responded with a nod.

Joseph followed King Stefan and Queen Leah through the halls and passages and up many flights of stairs.  Eventually, they came out upon a room in the tallest tower where a cedar bed with ivory linens stood alone in its center.  Joseph carefully walked towards the bed and placed Aurora on the bed and then backed away; gazing upon the face of the woman he loved.  He whispered to himself:

“I wish there was something that I could do to ease your suffering.”

As this wish escaped his lips a blue light flashed filling the room.  King Stefan, Queen Leah, and Joseph stood in awe as a figure emerged from the light.

“I heard your heart’s desire and I can grant it.  However, this will require a great sacrifice born of true love.”

Joseph looked upon the visage of this ethereal creature and wondered whether she was good or evil. 

He then looked into her eyes and knew that there was nothing evil in this presence.

“I will give anything for Aurora, for I have loved her since the day that I looked upon her face.” 

Joseph stepped forward and then knelt in supplication, whispering “Please.”

Queen Leah began to weep, feeling the deep love that Joseph had for her daughter.  King Stefan brushed a single tear from the corner of his eye.

“Are you willing to take upon her suffering?”

Queen Leah gasped.

“What do you mean?” King Stefan asked.

Joseph nodded and then asked, “If I take upon her suffering will Aurora be made whole?”

“Yes,” replied the Angel.

“How will I take her suffering upon myself?”

“In the garden, there is an ancient olive tree whose fruit contains the balm of healing.  Gather the forget-me-nots that bloom at the base of this tree.”  There was a deep sadness in her voice as she continued, “Weave the flowers into a garland and place it across the canopy of the bed where the princess sleeps.”

Joseph nodded and then quickly left the room and descended the stairs and then out into the gardens to search for the ancient tree.  When he came upon the tree he fell to his knees and pled again:

 “Please spare Aurora.”

Tiny fireflies began to rise from the ground shedding light upon the forget-me-nots.  Joseph carefully gathered the tiny flowers and began to weave them into a garland long enough to place across the canopy of Aurora’s bed.  As the rays of the new day streamed through the branches of the ancient tree, Joseph weaved the last flower in place.  He rose, and solemnly walked back to the palace and up the stairs to the room, placing the garland of forget-me-nots across the canopy.

“The garland is beautiful!” Queen Leah exclaimed and then she realized that a similar garland was left upon the cradle when Aurora was a babe.

Joseph turned to the Angel.

“Well done, Joseph,” the Angel examined Joseph carefully and then continued, “You must now make a crown from the branches and stems from the rose bushes that bare the deepest of crimson blossoms.”

Joseph’s eyes opened wide; for he knew exactly where to find them.  When Joseph was a small boy, his mother had planted rose bushes along the path from the road to their front doorstep.  These bushes had continued to produce the most beautiful red roses in the entire kingdom.  And then he felt a deep pain in his heart.  The only memory he had of his mother was the roses, for she had died the day before Aurora was born.

“If I create this crown, as you have asked, the rose bushes will die.”

“Yet, you said you would do anything to help Aurora.”

Joseph looked down at his feet; pondering what he should do.  He loved his mother and wished to always remember her.  He loved Aurora and wanted her to recover and he did say that he would do anything for her.

Looking up, he said, “I will go and return when I am done.”

Joseph left more slowly than he did before and he made it to his home by noon.  The sun shone brightly upon the path of rose bushes.  He walked into his home and removed a pair of sheers from the cabinet next to the front door and returned to the path.  He considered each bloom as he clipped them from the branches; falling like drops of blood upon the ground.  All that remained; fleshy green marrow of stems protected by razor-sharp thorns.  With crimson petals covering the ground; Joseph began selecting and cutting away the stems that would be perfect to create the crown.

Joseph labored over the crown as the sun passed through the sky and as it set behind the palace spires the last stem was braided; completing the circle.  Joseph looked down upon this crown and noticed that the green stems were now dark; stained from the blood that had been drawn from his fingers as he had braided the crown.  Joseph walked to the well beside the house and drew up some water in a bucket.  Using a ladle, he poured some water into the wooden goblet that hung on the well and took in a long, deep, cold draft of water. Refreshed from the well-spring, Joseph began his journey back to the palace.  With the crown of thorns cradled in his hands, he stepped into the torchlight of the room. King Stefan and Queen Leah looked upon Joseph and became sorrowful.

“Please place the crown at the foot of the bed,” the Angel motioning towards the center of the room.  Joseph obeyed.  Before he left the foot of the bed, he looked upon Aurora hoping to see any sign that she was returning from her slumber.  Yet, the angelic countenance did not change.  Joseph turned and looked at the visitor, questioning: “Why does she not stir?”

“You have one last task.”

King Stefan, Queen Leah, and Joseph looked upon the Angel that appeared to grow and reshape with wings emerging and spreading; spanning the width of the room.

“In Heaven the angels observe mankind, waiting for souls to reveal themselves.  You are one such soul.”

Joseph shook his head in disbelief.  He was just a carpenter’s son and had nothing to offer beyond his willingness to save Aurora.

“Your love is all that is required to save Aurora,” the Angel replied.

Still puzzled, Joseph just gazed upon the Angel.

“Greater love hath no man than this, that a man lay down his life for his friends.”

The words filled the room and all eyes were rested upon Joseph.

“I give it freely,” and there at that moment, Joseph slumped to the ground.

Aurora sat up and looked upon the scene in wonder.  She left the bed and joined Joseph on the floor, cradling his head in her arms.  She kissed his lips and traced his cheeks with her tender fingers.  Tears flowed freely; washing away the blood from Joseph’s hands; revealing the wounds on his palms.

The news of Aurora’s recovery spread throughout the palace and many came to the room where Joseph lay.  Two guards came to the room; taking Joseph up and laying him upon the bed.  Aurora walked to the head of the bed and raised Joseph’s head upon a pillow.  She dressed his wounds and anointed him with the oil from the ancient tree in the palace garden.  The crown of thorns was nailed to the wall above Joseph’s head.  Aurora turned to the Angel and said:

“He does not seem entirely lost to me.  He appears to just be sleeping.”

“He lives,” was the Angel’s only reply.


To this day, Joseph remains upon the ivory bed; Queen Aurora ever by his side.  The legend says that the crown of thorns sprung new life; spreading its vines to cover the walls of the chamber with the most beautiful red roses.  At night the canopy of forget-me-nots is drawn closed; the veil between betrayal and redemption.

Tuesday, April 21, 2020

Chasing Dreams

In the early morning, my mind continued to playback the feelings and emotions from the dreams of my twilight sleep.  I rolled over onto my side and my eyes rested on the shadowy figure of my husband of 20 years.  Even in the dark, I could make out the details of his face.  Black hair crowning his head; framing his lips and sheltering his eyes.  The Spanish nose and the strong French jaw.  Light crept in through the slats of the blinds casting light across the covers draped over his broad muscular shoulders.

I could not recall the image of the man in my dreams.

I lay in silence on the brink of tears wondering if I was really dreaming or if my mind was bringing back memories of another lifetime.  I remember gazing into his eyes and pleading with him to stay.  Where was he going?  There was a mystery in his responses.

Later we were traveling with many others, all seemed to understand the reason for his parting.  I struggled, hoping and wishing for more time with him.  His compassion and patience toward me permitted more time.  As the time drew nearer to his departure my chest tightened with anxiety and despair.

I woke with a start with my arms wrapped around the pillow resting on my chest.  I could hear my husband breathing steadily and slowly.  The rhythm of his breath like the ebb and flow of the sea.  Slowly drifting back into twilight sleep my mind grasped at the longing in my heart.  He was tall with thick chestnut-colored hair.  His eyes were kind and penetrating.  The cadence of his voice soothing.  His fingers resting gently on my hand, offering some comfort.  The loss growing stronger and stronger.

I began matching names of men I have known throughout my life to the quickly fading image of the man in my dreams.  No name seemed to be quite right. Desperation set in.  I could not lose him forever.  Why was he so important to me?

Tingling in my left arm woke me again.  I had rolled over onto my arm during my emotional struggle with the pillow.  My heart full of emotion.  Why was I so sad?  Why did this feel like a memory and not a dream?  Victor rolled over asking me if I wanted to sleep with him.  Snuggling and comfort would have been preferable to this separation that I was experiencing.

I told him I was fine.

I laid flat on my back for many moments easing back into half-sleep.

“I must let you go,” his voice seemed to come from the depths of the earth.  His hands caressing my arms and shoulders.  My head resting on his chest.  Trying to hold back tears my body began to shake.

“I love you.  Why must we be parted?”  I cried softly as I searched his eyes for the real answer.

Even though he smiled I saw the sadness in his eyes.  He was holding something back.  A secret, if shared, may shatter every fond memory we had shared.  But what were those memories?  I couldn’t recall any specific event.  The only remnant of happy times was the feeling of pure joy and happiness.

We sat in the study of a great mansion, speaking softly to one another.  There was another person with us explaining what would happen next.  My memories would be altered and I would not remember my life.  It was necessary to move on.  I needed to live a normal life.  It was not my time.  My time for what?  I reached for Bastian’s hand as he faded away like smoke.  Tears streamed down my face.

Victor rolled out of the bed and left the room, the movement waking me from my tortured sleep.  Leaving the warmth of my bed, my feet touched the soft carpeting on the floor.  I reached for the cup on the bedside table.  I took a sip.  I closed my eyes and could see Bastian’s face as if he were standing right in front of me.  Kind emerald eyes curtained by long dark lashes and thick brows looking deeply into my eyes.  I could hear his low mellow voice telling me all things would be set right.  His sculpted jaw revealing its strength with each word spoken.

Leaving my room I slowly walked down the hall through the living room, dining room and into the kitchen.  I surveyed the mess left by my daughter, Allisa.  She had stayed up baking lemon squares with her half-brother, Alexander.  I began clearing the center island and then wiped it down, still wondering what it was that I had dreamt. Stacking the dishes on the countertop next to the sink I gazed out into the backyard. Doves pecking at the newly rain-washed lawn.  Sparky, the fourteen-year-old pitbull-lab, staring back at me.  I watched the horses at the back of the property slowing grazing and enjoying the softly falling rain.

Evan walked in, greeting me: “Good morning, Mom.”  He stood and watched me as I wiped down more of the countertops.  We talked about the rain, the animals and him getting his haircut.  He told me that he was going to go take a shower.  Left alone in the kitchen again I began to recall other conversations:

“Mom, isn’t this music great?” My mother looked at me like I was crazy.

“This is the music my mother listened too when she was a teenager.  This is not from my era.”
“I think this music is romantic,”  I replied.

“You were born in the wrong era,” her eyes twinkling as she spoke to me.

I then remembered spending time with my family the night before.  We were listening to the radio as we drove home from getting ice cream.  The music playing on the radio was from when I was a teenager.  The memories evoked were from a sad time in my life.  The tightening in my chest increased.

“I hate this music.  It brings back such bad memories.”

“I love this music,” Victor’s voice booming through the car.

“That’s because you led a charmed life as a teenager.”

“What do you mean?”

“You were popular and it was a big party all the time for you.”

“I did have fun,” Victor smiled.

This conversation went on for a bit more and then Allisa asked, “What kind of music do you like? And what era do you think you should have been born in?”

“I think of the stories written by Jane Austen.  I would have been ignorantly happy in a simpler time.  I find peace and comfort in simple activities like gardening, sewing, drawing, and painting.”

As the morning faded into mid-day so did my dreams fade.  I wondered if in fact my memories had been changed so that I did not remember a lifetime with a man I had once loved so passionately.

Who was he? 

Who was I?

Monday, April 20, 2020

Re-Write of Popular Mechanics by Raymond Carver

The noonday sun beat down upon the white blanket laid the night before reducing it to a murky stream flowing through the gutters of the urban neighborhood.  Melted snow and ice streaked down the backyard facing window casting wavy uneven shadows upon the living room floor.  The sounds of cars slushing by on the streets outside pierced through the windows and front door.  Headlights scattering and reflecting against muddy puddles and plate size patches of snow.  Shadows lengthened and darkened as the sun was laid to rest and the evening clouds rolled in.  The chill in the air grew thin and piercing as the natural light dimmed within the walls of the matchbox house.

The suitcase lay open upon the foot of the bed devouring the clothes he had removed from drawers and hangers.  He was pushing clothes into the suitcase when she came to the door.

“I’m glad you’re leaving!  I’m glad you’re leaving!” with greater emphasis the second time.  He did not turn to look at her or even respond.

“Do you hear?” she added with more energy, hoping to elicit a reaction.  In her frustration she raised her voice and pitch:

“Son of a bitch!  I’m so glad you’re leaving!” 

Tears retraced the streaks already painted down her cheeks.  Words escaped between her lips along with intermittent breaths:

“You can’t even look me in the face, can you?”

Why would he?  Every feeling came pouring back when their eyes locked.  Love had been replaced with anger, sorrow, fear and even hate.  Forgiveness seemed foreign and unnecessary.  Yet, something continued to pull at him.  He wanted to turn toward her and look at her - he didn’t know what to say.  He kept putting his things into the case.

As he began to reach for the picture of their newborn son he heard the familiar padding of her bare feet across the floor.  In seconds she had crossed from the door to the bed snatching up the image of her baby.  Surprised, he turned slightly toward her.  Using her sleeve she wiped her eyes and then stared at him, half expecting him to say something.  His reflection staring back at him from her glassy eyes left him speechless.  With a heavy sigh, she turned from him.  He watched her as she strode into the living room and then realizing he yelled after her:

“Bring that back!”  Echoing from the other room she responded:

“Just get your things and get out.”

He was going to leave - that was already decided.  With nothing left to pack he fastened the suitcase, put on his coat, looked around the bedroom.  Standing at the bedroom door he looked again, pausing at the bed and then the nightstand and then the dresser.  A sigh of release escaped as he reached for the switch turning the light off as he vacated their room.

The living room felt cold and damp.  Scanning the room, he noticed that the baby was no longer in the playpen.  Like a spotlight across the night sky, he traced the room until he spotted her standing in the doorway leading to the tiny kitchen with her arms folded about his baby boy.  Welling up from the pit of his stomach, rage and jealousy emerged and then revealing his intentions and in the tenor of a petulant child he erupted:

“I want the baby.”

“Are you crazy?”  Her eyes widened in astonishment and then slowly sunk into fear.

“No, but I want the baby,” determined to get what he wanted he began to move closer to her and the baby.  Then more softly he added:

“I’ll get someone to come by for his things.”

Who was he going to send?  Is mother?  Over my dead body, she thought.  Maybe he would send his sister.  He wouldn’t dare send Her… the thought of Her filled her with rage causing her to wrap her arms tighter around their son.  Beginning to cry again she blurted out:

“You’re not touching this baby!”

As the last syllable left her mouth the baby began to cry.  She loosened her hold and uncovered the blanket from around his head looking into his face and gently hushing.  Adding soft melodic and soothing breaths of “Oh, oh…”

When she looked up she noticed that he had moved in closer with his hands and arms reaching toward their son gesturing for her to release him into his custody.

“For God’s sake!”  horrified she stepped back into the kitchen.

“I want the baby,” he continued to advance.

“Get out of here!” screaming back at him she turned moving to the corner of the kitchen.  Facing away from him she desperately held the baby over the empty space behind the stove.  But he came up.  Reaching over and around her across the stove he grasped the baby- flesh like clay between his fingers turned pink then red and finally purple.

“Let go of him,” commanded her to release.

“Get away, get away!” hysterical gasps and a flood of tears howled in the space between them like a fierce winter storm.  Her cries were joined by the distressed cries of the baby.

In the scuffle, they knocked down a flowerpot that hung behind the stove.  Shards of terracotta clay scattered across the linoleum as dirt bounced and skipped like dirt released from a mourning hand upon polished mahogany. His heavy warm breath stole fresh air as he pressed in against her and into the wall.  Hands moving from the baby he dug his fingers and palms into her arms pulling them away from the baby. She tightened her hold.  He shifted again pressing the full weight of his body against her as he moved his hands around the baby and pulled.

“Let go of him,” he growled baring his teeth and expelling steamy hot air upon her bare skin.

“Don’t,” continuing to sob.  “You’re hurting the baby.”  Hesitating, he could feel her trembling beneath him.  The baby continued screaming in his ears.  Suddenly aware that he was losing,, he snapped out and back:

“I’m not hurting the baby.”

The rain-drenched trees, black lace against a misty shroud stretched across the kitchen window.  All-natural light extinguished, the walls and floors void of dancing shadows.  Feeling his way in the darkened space he worked on her fist fingers with one hand.  He wedged his other hand under the tiny space under and around the tiny shoulder of the screaming baby. 

She felt her fingers being forced open and the baby quickly slipping from her hold.

“No!”  she screamed just as her hands came loose.

She would have it, this baby.  She grabbed for the baby’s other arm.  She caught the baby around the wrist and leaned back.  Like the stitching of Raggedy Andy pulled in the heat of sibling rivalry the baby popped and screamed.  Still, he would not let go.  He felt the baby slipping from out of his hands and he pulled back very hard.

A deafening silence filled the space and settled in a heap upon the floor next to the crumpled and crushed remains of the winter violet surrounded by moistened earth.


Thursday, April 16, 2020

Ventura’s Art Legacy

As an art student, participating in various studies to include Drawing, Painting and Ceramics, I was excited to attend the opening of the exhibit at the Ventura County Museum of History & Art highlighting the artwork of students and faculty from Ventura College on March 6th of this year.  This exhibit, entitled: “Legacy, Seven Decades of Ventura College Art” was timed perfectly; as it occurred less than two weeks before the order to shelter at home due to the COVID-19 pandemic.  I was excited to see the work of both students and instructors that I know personally.  My first walk through the exhibit was to find specific pieces; three of which I photographed.  As I walked through a few more times I began to notice specific things about the exhibit and how each piece was displayed.  While the pieces in the exhibit were beautiful the design and setup had many issues and flaws.
 
While paintings were hung beautifully on the walls the ceramic pottery and sculptures were not displayed separately; grouped with other non-related pieces and artists.  As an example, “Three Peaks” by Chelsey Hoslett was displayed on a low table along with a piece from another artist.  As a result, patrons were looking down to examine the piece.  Hoslett’s piece would have been better represented if it had been displayed on a higher platform so that the top of the peaks were at eye level.  The beautiful lines and imagery also would have popped had the other piece sharing the table been removed. 

There were many instances of artists’ works being displayed together; however, on occasion, there were pieces displayed separately.  “Take Flowers” a piece by Deanna Pini was displayed separately against a wall on a clear pedestal.  This beautiful piece, fired using the Raku method, was not sufficiently protected with a cover.  With many attendees at this opening, this piece could have easily been knocked to the floor; shattering it. 

One of the other things that I noticed as my daughter and I walked through the exhibit was the number of individuals who were sitting or leaning on the tables used to display the creative artwork.  Had the pieces been properly displayed and covered the temptation to use these tables as support would have been abated.  Like Hoslett and Pini’s pieces, Alina Hayes’s piece, a “Bloop” Tentacle, was displayed next to another piece on a low lying table without a cover.  This ceramic sculpture with its height would have been stunning had it been placed on a high pedestal - this piece needed to tower over the attendees

As far as I could tell, there wasn’t a method or a system to how the pieces were displayed.  Paintings were hung on walls and vessels, structures and sculptures were displayed on tables.  Since this exhibit was for the purpose of recognizing the artistic community at Ventura College over the span of seventy years it would have been nice to see a chronology of the work; each room representing a specific decade.  Or the rooms could have been set up to recognize artists as students and artists as faculty.  Overall, I enjoyed the opening of this exhibit and was pleased to see certain artists recognized for their hard work. 



The Meet-Cute


Photo taken at Whale's Tail by Oren A. on 10/15/2011Interior of the restaurant/bar, The Whale's Tail.   There is dance music playing over the sound system.  Music and voices mingling with the sounds of clinking glasses; blenders; and fountain drinks being poured, etc.  

Shannon and Rebecca walk through the front doors passing the restaurant seating area; stopping at the bar to order a couple of drinks.  Rebecca prefers Alabama Slammers while Shannon prefers Pina Coladas.  After picking up their drinks they walk down the ramp towards the dance floor and then to the back corner where their friend John is working as the D.J. for the evening.

Shannon:  Hey, John! (Shannon smiles and waves at John as she walks down the ramp from the bar.  Her blonde locks bouncing in rhythm to her steps - Rebecca trailing behind her.)

John:  Hey!  It's great to see you guys. (John waves back with a big grin - looking at each of the girls.  Rebecca nods and smiles at the same time.)

Shannon:  We thought that we would hang out with you tonight. (Shannon continues walking toward John, pulling Rebecca by the arm.)

John:  That's great.  I enjoy the company. (John directs them to the table and chairs behind the D.J. Booth.)

John: I see you got drinks already. (John pushes coasters towards Rebecca and Shannon.)

John:  Tracy has been bringing me drinks -- so if you need anything ask her. (John nods towards the waitress at the bar.)

Shannon:  Thanks, John. (Shannon tilts her head and winks.)

Random Guy:  Hey would you like to dance? (Random Guy walks up to Rebecca; then stands with his left hand on his hip and his right hand extended.)

Rebecca:  Sure (Rebecca nods and rises to her feet.  They walk to the dance floor as popular dance music is pumped through the speakers, passing the bouncer standing nearby.  He smiles at Rebecca.  Rebecca returns the smile and blushes.  Rebecca and random guy dance to the music.  When the song finishes they walk to a table on the other side of the dance floor opposite the D.J. Booth.)

Random Guy:  Would you like a drink?  (Random Guy pulls out a chair for Rebecca.)

Rebecca: A coke is fine. (As Rebecca sits and scoots forward towards the table.  Random guy walks to the bar and orders a couple of drinks.  Rebecca looks around the bar and then towards the D.J. booth to catch Shannon's eye - making sure that Shannon knew where she was.  John looks up from the deck and smiles at Rebecca, raising a thumb.  Rebecca smirks back and then looks away.)

Random Guy #1:  What do you do? (Random guy places the drinks on the table and sits int he chair to her right - scooting his chair closer to her.  Too close, making an exit impossible from that side.)

Rebecca:  What do you mean? (Rebecca scoots her chair back and to the left.)

Random Guy #1:  Do you work? (Random Guy #1 leans in.)

Random Guy #2:  Hey, who's this? (appearing  to the left of Rebecca, taking a seat and scooting toward her - Rebecca now between the two guys.)

Random Guy #1: Oh... I didn't ask. (Random Guy #1 looking at Rebecca, raising his right eyebrow.)

Rebecca:  I'm Rebecca.  (Rebecca looks at both men and quickly looks around the room to find her friends.  Sees John at the D.J. booth but does not see Shannon.)

Random Guy #1: Hi Rebecca, I'm Kent.  This is my buddy Triston.  (Kent points to Triston and both men smile at Rebecca. )

Rebecca:  Hi.  (Rebecca continues to look around the room for her friend.)

Triston: Do you come here often? (Rebecca's head snaps towards Triston in surprise and then her eyes settle on his face.)

Rebecca:  A little cliche, don't you think? (Rebecca picks up her coke with her right hand and takes a sip.)

Triston:  Well, I haven't seen you before.  (Triston places his right hand on the back of Rebecca's chair.)

Rebecca:  Like I said, cliche. (Rebecca sets the drink down on the table.)

Rebecca:  My friend and I are friends with the D.J. (Rebecca nods towards the D.J. booth, making eye contact with John who nods back, also making eye contact with Triston. )

Triston:  Oh, that's nice.  Hey, would you like to dance?  (Triston turns back towards Rebecca, scooting his chair away from the table.)

Rebecca: Not really.  (Rebecca picks up her drink and takes another sip.)

Kent: Dance with my buddy.  (Rebecca turns towards Kent and notices that he has scooted closer.)

Rebecca:  I'd rather not.  (Rebecca turns and looks around the room again for her friend.)

Rebecca:  I really need to get back to my friends. (She spots Shannon standing next to Victor - they are talking and smiling - they begin to laugh when Rebecca catches their attention - she mouths to them:  "Help Me". - they laugh.)

Kent: How about another one of those drinks I saw you drinking earlier? (Rebecca turns to look at Kent.)

Rebecca: No.  I'm a one-drink girl. (Rebecca frowns at Kent and folds her hands in her lap.)

Kent:  Triston, why don't you get us some drinks?  (Kent looks at Triston - both have smirks on their faces.)

Triston:  Will do.  (Triston jumps up and walks briskly towards the bar.)

Kent: We could go to my place to hang.  (Kent leans towards Rebecca - taking in a deep inhale through his nose - like he is smelling her hair.)

Rebecca:  No, I'm here with my friend.  (Rebecca leans away from Kent.)

Kent:  Hey, Triston you should ask Rebecca's friend to join us.  (Kent looks up noticing that Triston has returned with drinks.)

Triston:  Who's that? (Triston looking excited.)

Kent:  The blonde behind the D.J. booth.  (Rebecca, Kent, and Triston all look towards the D.J. booth.  Shannon doesn't notice as she is talking with John.)

Rebecca: We have plans after, so neither of us is available. (Rebecca lies quickly.)

Bouncer: Hey honey.  I think it's time to go home.  (Bouncer places both of his hands on Rebecca's shoulders, leaning in to speak into her left ear.  Rebecca jumps and then settles into her seat.)

Rebecca: Okay.  (Rebecca turns to look at the bouncer and smiles timidly.)

Rebecca:  See yah.  (As the bouncer pulls the chair out for her, Rebecca stands up quickly, smiles at Triston and Kent, takes the bouncers extended arm as she turns away.  Kent and Triston have bewildered looks.)

Bouncer:  Hi, my name is Victor.  (Victor and Rebecca turn their heads to look at each other.)

Rebecca:  Hi, I'm Rebecca.  (Rebecca smiles at Victor and Victor smiles back.)

Victor: I know.  Your friends told me.  (Both Victor and Rebecca looking forward as they continue to walk past the bar, through the restaurant, and out the front door.)

Rebecca:  Yeah, I bet they did.   (Standing at the entrance of the restaurant, Rebecca leans against the wall.)

Victor: Your friend, Shannon, asked me to wait to see if you could get yourself out of the situation. (Victor stands facing Rebecca with his arms crossed and his legs shoulder-width apart.  His arms ripped and dark against the white polo shirt.)

Rebecca: Sounds like her.  (Rebecca lowers her head, looking at her feet.)

Victor:  Did you really need me to intervene? (Victor sounding genuine.)

Rebecca: Yeah... I never know how to handle guys like that. (Rebecca looks up - placing her hands behind her back with her palms pressing into the wall.)

Victor: Well it is probably a good thing that I came to your rescue. (Victor leans against the opposite wall, crossing his legs.)

Rebecca:  Yeah...  Although, I never would have left with them...  Shannon would have punched one of them. (Both Victor and Rebecca laugh, both lowering their arms to rest along their sides.)


Wednesday, April 15, 2020

Chain Reaction

The red potato pressed against the grater gradually shrunk as thin slices landed on the cutting board below.  In anticipation of a scrumptious meal, several potatoes were quickly sliced and rinsed. Abruptly the slicing stopped as the long blade sliced into the tender flesh of one of the fingers holding the potato.  Potato released in that microsecond when the brain registered the pain and the crimson blood beaded and streamed down the finger and into the palm.

Still tender to the touch; days later the wound will begin to heal.

He left her alone on the porch; walking away with his head bowed low.  She watched as he slowly turned to look at her one last time before getting into his Ford Probe.  Tears flowing freely, she grasped her chest as her heart ached from the breaking.  Clutching her sides she collapsed to the ground sobbing.  So exquisite the pain she had forgotten about the cut on her finger.  As instantly as her brain had registered the cut it had also registered the pain of loss and rejection.

How long will it take for this wound to heal; a lifetime perhaps.

This instantaneous chain reaction; manifesting pain, is meant to protect - warning us to stop what it is that we are doing that causes pain.  What is the purpose of emotional pain when there isn’t a way to prevent or abate it?  The sensory nerves in our body don’t differentiate between physical and emotional pain.  They are simply the vehicle to send impulses about what is happening in our environment to the brain via the spinal cord.

Tuesday, April 14, 2020

The Light and Dark of Truth

     The fairy tale genre has often been associated with childhood and bedtime rituals;  with magical images leaping off the page and into the dreams of the sleeping child.  "Once Upon a Time" is one of the most famous phrases found in the fairy tale genre and these words uttered aloud conjure up a myriad of images for children and adults alike.  Every adult can reflect back on their lives and come up with at least one fairy story in literature or film that was a part of their childhood.  Some of these reflections result in fond memories; bringing to life the desire to relive the magic and fantasy found in these beloved tales.  Many of these fairy stories began as orated folklore during town or village gatherings, with imagery not well suited to the child.  Oscar Wilde, patterned his fairy tales after folklore and that of Hans Christian Anderson; infusing dark imagery and the failings of humankind, as depicted in his publication, The Happy Prince and Other TalesContemporary fairy tales specifically written for children, such as The Hobbit by J.R.R. Tolkien, and The Chronicles of Narnia by C.S. Lewis, contain many of the elements found in traditional fairy tales; adding magic and mystery as well as moral and religious themes.  The conscientious literary scholar; contemplating this genre, may conclude that even the modern versions of the fairy tale and contemporary renderings still may be directed to the adult audience.  Well-known tellers of fairy stories, such as Tolkien, Lewis, and Wilde have stated in some form or fashion that the fairy story is truly intended for the adult audience; and their reasons are connected and varying at the same time.


     J.R.R. Tolkien is considered the foremost expert on the fairy story and had delivered an often quoted Andrew Lang lecture in 1938 on the fairy tale genre and the elements found in these fantastic stories.  His lecture entitled, “On Fairy-Stories”, was later published in an extended format and many literary scholars have written commentary on the points addressed by Tolkien.  In Volume 27 of “Mythlore” magazine, published by the Mythopoeic Society in 2008, Jason Fisher reviewed Tolkien’s essay in his article: “Tolkien on Fairy-stories”, citing sections relevant to Tolkien’s beliefs pertaining to the purpose of a fairy-story.  In this review, Fisher points out that Tolkien “established positive criteria by which fairy-stories [...] could be evaluated.  He built up a working vocabulary for the craft of fantasy that could be used in its criticism” (Fisher 180).  Based on this criteria, we can better understand Tolkien’s own thoughts on the genre when he replied in a letter to Michael Straight, the editor of New Republic:  “I think that [the] fairy story has its own mode of reflecting ‘truth’, different from allegory, or (sustained) satire, or ‘realism’, and in some ways more powerful.  But first of all it must succeed just as a tale, excite, please, and even on occasion move, and within its own imagined world be accorded (literary) belief” (Tolkien 232).  In this imagined world, we get to experience real emotion through events and Tolkien prescribes in the A manuscript of “On-Fairy-Stories” the key to generating literary belief:  “Joy can tell us much about sorrow, and light about dark but not the other way about.  A little joy can often tell more about grief and tragedy than a whole book of unrelieved gloom” (qtd, in Fisher 183).  Many fairy tales contain dark or tragic events with small glimmers of light and hope; only at the end.  Tolkien called this upturn a eucatastrophe and stated:  "I coined the word 'eucatastrophe': the sudden happy turn in a story which pierces you with a joy that brings tears (...) And I was there led to the view that it produces its peculiar effect because it is a sudden glimpse of Truth… (“Eucatastrophe”)”.  Eucatastrophic fairy tales introducing opposition emphasize one of the purposes of fairy tales and its appeal for the adult audience; that of truth.  Tolkien’s The Hobbit is full of beautiful contrasts between light and dark and the truth that dwells there; which is explained in wonderful detail in the essay, “The Moral Mythmaker” by Dr. Paul Nolan Hyde.

     The columnist, Harvey Breit wrote a weekly article in the New York Book Review called the “In and Out of Books”, and in June of 1955, he featured Tolkien.  Prior to this publication, he inquired of Tolkien regarding the fantasy genre and the fairy-story; to which Tolkien replied:  “I think the so-called ‘fairy story’ one of the highest forms of literature, and quite erroneously associated with children (as such)” (Tolkien 220).  In a letter addressed to Dora Marshall, a fan of The Lord of the Rings, Tolkien states again:  “It remains an unfailing delight to me to find my own belief justified: that the ‘fairy-story’ is really an adult genre, and one for which a starving audience exists” (Tolkien 209).  Tolkien’s strong belief that the fairy story was meant for the adult-reader, was no doubt, shared with his friend and fellow Oxford “Inklings”, C.S. Lewis.  While they debated over many topics, they both shared the concept that the fairy tale’s themes are meant for the adult.

     In her article, “Watchful Dragons and Sinewy Gnomes:  C.S. Lewis’s Use of Modern Fairy Tales”, Ruth Berman shares Lewis’s ideas about fairy tales and his hope for this genre stating that “Lewis cited Tolkien as his authority to point out that fairy tales were not necessarily for child-readers, but he was, nevertheless, interested in the fairy tale as a genre that he felt was likely to interest child-readers” (Berman 118).  Although C.S. Lewis wrote for children when he wrote The Chronicles of Narnia, he infused them with religious themes; with elements of light and dark (good versus evil); and in a brief essay he shares his feelings that “the fairy tale form might allow him to write about religious themes in a way that would not be obviously religious…” (Berman 118); these themes are not necessarily picked up by a child but rather by an adult reader.  Tolkien supported Lewis in the idea of religious themes when he stated:  “Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or err), but not explicit, not in the known form of the primary ‘real world” (Tolkien 144).  The original folk tale (fairy tale) has religious elements, often as a warning to stay on the path, as in “Little Red Riding Hood”.  Redemption comes when the knight in shining armor appears; waking the sleeping princess; literally raising her from the dead; similarly, Jesus Christ raises Jarius’s daughter from the dead (Mark 5).  These images, familiar to God-fearing individuals, are necessary for understanding the underlying conflicts between light and dark.  We see this imagery in C.S. Lewis’s The Lion, The Witch, and the Wardrobe, when the Christ figure is represented by the lion, Aslan, and the Devil is embodied within Queen Jadis, the White Witch.  The child only sees the fantastic story with talking animals and a realm of magic.  The adult-reader grasps the danger surrounding Edmund and weeps upon Aslan’s sacrifice.  C.S. Lewis captures the principles of sin and redemption beautifully.  Redemption or salvation, a theme found in many fairy tales is the element that penetrates the reader's senses.  Joining Tolkien and Lewis, Oscar Wilde also employs these principles with prominent Christ-figures offering redemption for sin.

     Oscar Wilde, best known for his gothic novel The Picture of Dorian Gray, also wrote and published two collections of fairy tales: The Happy Prince and Other Tales and A House of Pomegranates. The 2008 publication of both collections contains a thought-provoking introduction by Gyles Brandreth.  He explains that these tales, rich in symbolism and imagery, “reflect [Wilde’s] profound knowledge of the Bible and his classical education” (Brandreth vii).  Like, Tolkien and Lewis, Wilde’s work was not meant for the child-reader, even though these tales were written in children’s language; “likely to interest the child-reader” (Berman 118).  Responding to a letter from the poet Herbert Kersley, Wilde shared that the collection, The Happy Prince and Other Tales, “[is a study] in prose, put for Romance’s sake into fanciful form: meant partly for children, and partly for those who have kept the childlike faculties of wonder and joy, and who find in simplicity a subtle strangeness” (qtd, in Brandreth xii).  “The Selfish Giant”, found in The Happy Prince and Other Tales, appeals to the child with images of children playing in trees and frolicking through the grass and flowers of the giant's garden.  However, this story is full of imagery and symbolism so rich in religious themes, that the child could not completely understand the story’s meaning.  The concepts of sin, repentance, and redemption are explored in this fairy tale and the story concludes with the death of the giant and redemption extended through the Christ-child.  Wilde’s fairy tales, including The Picture of Dorian Gray, demonstrate the possibilities for redemption, however, they all end on an unresolved or tragic note; breaking away from the traditional eucatastrophic fairy tale, as explained by Tolkien.  The phrase “happily ever after” never appears.  Jack Zipes, who wrote the Afterword for the 2008 publication of Wilde’s fairy tale collection, stated:  “Oscar Wilde’s fairy tales have a religious fervor to them that urges us to reconsider what has happened to the nature of humanity at the dawn of modern civilization” (213).  This consideration can only be had by the adult-reader; the child inexperienced and can only enjoy the story.

     Whether the imagery is overtly religious, as found in Wilde’s works or close to the vest, as in Tolkien’s tales; adults love fairy tales.  And quite simply, because adults are children who have grown-up and have kept their “childlike faculties”.  Tolkien’s fairy story, The Hobbit, is written in children’s language, by the child who grew up, Bilbo Baggins; for every hobbit is a child.  Tolkien once said of himself:  “I am in fact a Hobbit (in all but size)” (Tolkien 288).  The fairy tale will still draw the attention of the child-reader; providing excitement and pleasure mixed with magical opportunities to explore.  Literary belief built upon truth causes the adult-reader to be moved.  The light and dark of truth remain in the realm of adulthood, and the tale reawakens the child within.



Works Cited
Berman, Ruth. “Watchful Dragons and Sinewy Gnomes: C.S. Lewis's Use of Modern Fairy Tales.” Mythlore, vol. 30, no. 3/4 (117/118), 2012, pp. 117–127. JSTOR, www.jstor.org/stable/26815504. Accessed 23 Feb. 2020.
“Eucatastrophe.” Tolkien Gateway, 20 June 2009, tolkiengateway.net/wiki/Eucatastrophe.
Fisher, Jason. Mythlore, vol. 27, no. 1/2 (103/104), 2008, pp. 179–184. JSTOR, www.jstor.org/stable/26814574. Accessed 23 Feb. 2020.
Hyde, Paul N. "The Moral Mythmaker: The Creative Theology of J. R. R. Tolkien." Religious Educator: Perspectives on the Restored Gospel 3, no. 3 (2002). https://scholarsarchive.byu.edu/re/vol3/iss3/28
Tatar, Maria. The Classic Fairy Tales. 2nd ed., W.W. Norton Et Company, 2017.
Tolkien, J. R. R., et al. The Letters of J.R.R. Tolkien. Houghton Mifflin Company, 2000.
Wilde, Oscar. Complete Fairy Tales of Oscar Wilde. Signet Classics, 2008.

Monday, April 13, 2020

Piano Voices

Piano

I.

I know your mood each time
You stroke my keys
Your choice of signature
Metre and key
The Sonnet and the March
A steady beat
The Minuet and Waltz
O’ so complete
Your sadness swells among
The ebony
While happiness rises
Twinkling above the higher range


II.

Today your anger is pounded
Out upon my board and the thumping
Of the peddles releasing and sustaining
Your sadness of yesterday swelled
When your fingers glided across
The black keys of the minor chord
Tomorrow I hope that joy and
Happiness will join our duet and
Make a trio, plus a refrain

III.

You met me when you were eight and you loved me the instant you could make my heart strings sing.  You labeled every white key with masking tape; a map to the music played.  You took your anger out on me by pounding the keys and stomping on my pedals without leaving a single blemish upon my shiny surface.  I remember when you fell in love.; your hands drifted over my board as your fingers caressed the smooth ivory and ebony keys, dropping the hammers against my internal wires; almost like fingers stroking the strings of a harp.


Saturday, April 11, 2020

Diamantes Are A Girl's Best Friend




TREE
ROUGH HARD
SAWING SPLITTING SHAPING
PLANK SHEET HAMMER NAIL
SANDING PAINTING SELLING
BEAUTIFUL SMOOTH
TABLE
CHILD
INNOCENT CURIOUS
CRAWLING WALKING RUNNING
TOYS BOOKS BIKES CARS
STUDYING WORKING LIVING
CONFIDENT EXPERIENCED
MAN
PAPER
BLANK FRESH
INVITING WAITING DAUNTING
PEN HAND MIND THOUGHT
WRITING READING THINKING
TERRIBLE BORING
TRASH

Friday, April 10, 2020

A Few Clerihew For You to View


David Bowie
Ate a hoagie
Captured Sarah
Instead of Farrah


Benedict Cumberbatch as Doctor Strange
Has proved through the skillful acting emotional range
Through several roles throughout his training
I think that Doctor Strange most entertaining


Tom Hiddleston best known as Loki
Embraces his role of trickster even when it seems a bit hokie
My daughter Allisa dreams of being wed
Yet realizes it may not be so with certain dread


Thursday, April 9, 2020

Modular Poem - Pain

Thursday

I remember parts of Thursday - watched "Coraline" and wrote tons of notes because we are watching it for a college class.

"Coraline" is a little creepy - why would I let my kids watch it?  It's not like I can stop them, they are already adults.  And they've already watched it.

Friday

Friday was my day of bliss with my hands in clay all day. Well until 2:00 p.m. Seven hours of bliss. Then I was home; something happened that distressed me into a panic.   I was a reck for the rest of the day.

Saturday

I originally had plans for Fish n Chips; I canceled them.  I told my friends a half-truth for the reason why.  I made new plans on Friday for Saturday and ended up not doing the new plans either.  I didn't lie - I just didn't tell the whole truth.

Instead of having a nice day out with my friends, I stayed home all day - cleaned; washed some clothes; finished an essay.

BTW: It’s not like me to lie. I didn’t want to lie - but I was embarrassed and ashamed...

Sunday

I don’t remember Sunday. I think I sat at my computer - Oh yeah, I did. I remember now.  There was more homework to do, mail to open and files to organize.  It was awesome, I found a short story I had started writing a while back - it's pretty good.  Right now it's sad - I promise there is a happy ending - but not like a fairy tale happy ending - those aren't real.  If they were I would be with the prince of my dreams.

Monday

I was excited about school; I was going to see my favorite people. I don’t think I’m theirs… I don’t care.

I still get to see them and talk with them.  We share ideas and experiences - well not everyone - I have some friends who don't say much; but when they do it is meaningful, intelligent, brilliant and often pretty funny. Actually, it's just one friend.  One of my favorites.

Oh, I put the wrong contacts in - because I couldn't see the color - apparently I wore my black ones and terrified all the students in the tutoring center; plus some of the tutors - this might explain the strange look I received from one of my favorites in the creative writing class.  Another friend, Max, told me that he thought I was possessed.

Tuesday

I got to see two more favorite people. We watched the ending of "Coraline" and then my two favorite people and I worked on a poster.   We drew an eye, a button, a drachma and the river Styx with the ferryman.  I really enjoyed that.  And we wrote some drivel:  "the eyes are the windows to the soul".  I guess it's not drivel - I cover my eyes with contacts so no one can see into my soul.  I wear mine on my sleeve - or is that my heart?

OMG! I felt an earthquake after class. I freaked out. I told a friend. I don’t think he believed me. It was real. I swear. You can ask my other friend, who was there.

Wednesday

Today is Wednesday. I woke up this morning in pain. A pain that I am all too familiar with. It’s the pain that I was warned about.  The pain that precedes the necessity of the wheelchair - kind of like the calm before the storm -but the storm is happening now.   Victor purchased my new wheelchair six months ago. As soon as I become friends with the wheelchair I will have to schedule surgery. I will have to quit school. I will not be able to do anything for at least six months… the definition of complete empty calm.

I don’t want that. I want to live my life and do all the things that I haven’t done yet. I want to get another piercing and I want to get my first tattoo (I'm a little afraid).  I want to kiss the young man that I fancy - I'm glad he doesn't know  - At least I don't think so. I want to write an epic novel. I want to travel to Europe. I want to walk the line for graduation with my favorites.

So, I put my jazz shoes on and kicked my heel at the beautiful blue wheelchair sitting in the corner. I will wear these shoes all day so that I can feel each pebble and crack in the concrete. I will feel the warmth of the heated cement and asphalt and the texture of the carpet in the LRC. I will perform Tai Chi feeling every slat of wood along with its cracks. And I will memorize it all for when I can’t.

Wednesday, April 8, 2020

Prose Poetry - Pain

The pain woke me far too early. 4:00 a.m. maybe. Tears welled up; not because of the pain, but for what the pain meant. Struggling, I finally slip out of bed; pushing past pain. The wheelchair in the corner with outstretched arms waiting for me to accept his embrace. “Not today,” I said. “Perhaps tomorrow; for I have too much to do today.”

I cried again in the shower - because I was alone.  Showers are perfect places to sob and so I did.  I took my time selecting my clothes, styling my hair and applying my make-up.  It was important for me to feel pretty and pretend that everything was okay.

Weak and shaky, I will make it through today; on my own; like I have been doing all along.

As I walked out the front door I turned to the corner and said: "Mr. Blue, my wheelchair; you will just have to wait, I’m not ready. Ask me tomorrow."  I can almost guarantee I won't give in to the pain or that beautiful blue wheelchair.

Tuesday, April 7, 2020

Free Verse - Pain

I woke this morning to the pain; returned
I found myself weeping at its cost
I found the courage to rise and
Push through the pain.

I should have known; there were
Symptoms before the pain.
I ignored it; denying it; hoping
For another day.

I put my dance shoes on; my defiance
And hatred for the wheelchair
That sits in the corner waiting for
Me to need him - not today.

My reason for living drives and pushes
Me past the pain.
Yet shaking and weak; I am here today.
Pushing past the pain.

The day will come when I won’t be able
To stand, but I stand today.
I push through and work hard to finish
Everything I’ve started.

I want to leave my mark; before I can’t.

Monday, April 6, 2020

Heather Satin

The heather soft one and the satin black
  curled; resting quietly at my feet.
The mother and her milk are far distant
  memories, dreaming, lonely doth they sleep.
Hissing, jumping, cattail and paw boxing
  whining, crying, tail twitching while eating.
Kneading, fluffing, curled up against my side
  purring, stretching,  eyes gazing into mine.
The gray and black safe from neglect and harm
The gray one and the black one

  now cradled in my arms.

Beauty Emerges From The Darkness

I have been pondering upon the things that I have heard, seen, and felt over the past several months, weeks, and specifically during the pa...